Wednesday, January 20, 2016

PLATINUM DOLL, by author ANNE GIRARD ~ debuts January 26th!

Set against the dazzling backdrop of Golden Age Hollywood, Platinum Doll tells the enchanting story of Jean Harlow, one of the most iconic stars in the history of film.

It's the Roaring Twenties and seventeen-year-old Harlean Carpenter McGrew has run off to Beverly Hills. She's chasing a dreamto escape her small, Midwestern life and see her name in lights. In California, Harlean has everything a girl could wanta rich husband, glamorous parties, socialite friendsexcept an outlet for her talent. But everything changes when a dare pushes her to embrace her true ambitionto be an actress on the silver screen.

With her timeless beauty and striking shade of platinum-blond hair, Harlean becomes Jean Harlow. And as she's thrust into the limelight, Jean learns that this new world of opportunity comes with its own set of burdens. Torn between her family and her passion to perform, Jean is forced to confront the difficult truththat fame comes at a price, if only she's willing to pay it.

Featuring a glittering cast of ingénues and Hollywood titans—Clara Bow, Clark Gable, Laurel and Hardy, Howard Hughes—Platinum Doll introduces us to the star who would shine brighter than them all.

Publisher: MIRA Books – Debuts January 26, 2016

What readers are saying . . .

“A fascinating, page-turning, behind-the-scenes look at what it took to be a celebrity in early Hollywood.”
   Lynn Cullen, bestselling author of Mrs. Poe and Twain’s End

“An engrossing look at a Hollywood icon. I couldn’t put it down.”
   Karleen Koen, New York Times bestselling author of Through A Glass Darkly

"Platinum Doll will entrance readers as Harlow entranced the world."
— Heather Webb, author of Rodin's Lover

About the Author

Diane Haeger, who currently writes under the pen name Anne Girard (Madame Picasso), holds a Master’s Degree in Clinical Psychology from Pepperdine University, and a Bachelor’s Degree in English Literature from UCLA. A chance meeting with the famed author Irving Stone 25 years ago sharply focused her ambition to tell great stories from history, and write them only after detailed research and extensive travel to the place her character lived. That determination has provided a fascinating journey that has taken her from the halls of Chenonceaux, to a private interview with one of Pablo Picasso's last surviving friends, and most recently an invitation inside Jean Harlow's home.

Since the publication of her acclaimed first novel, Courtesan, in 1993, a novel that remains in print today, her work has been translated into 18 different languages, bringing her international success and award-winning status.

Platinum Doll, a novel about Jean Harlow, is her 15th book. She lives in Southern California with her husband and family.

Some Q & A with Anne:

Tell us a little bit about yourself, and how you started writing.

I’ve been writing for 25 years. I sold my first novel, Courtesan, in 1993 and have been telling true love stories from history ever since. I always wrote growing up, and my bachelor’s degree is in English literature, but I never thought I could actually make a career of it early on. What started me writing professionally was finding the amazing true story of Diane de Poitiers and the young prince she captivated for more than a quarter century during the French Renaissance. When I realized, at the time, that the story was not well known in America, I became driven to be the one to tell it. After four years, here and in France, researching and writing, I’m proud to say I sold it to Simon & Schuster. That book really was a great labor of love.

What are some things you enjoy when not writing?

My family and I travel quite a lot, which we really embrace, so it really has become a hobby. Both of my children grew up going everywhere with us to research my books; France, Spain, Italy, England and Scotland. It’s only now that they are grown they are looking back at all the places they have been and wishing they had complained less, and that they could remember more! I also enjoy cooking—usually French recipes, and of course number one is, I love to read!

Where do you get your ideas?

I do a lot of reading and searching for historical characters in my leisure time. I am most attracted to misunderstood characters in history, or their misunderstood relationships. I guess I think of myself as a bit of a champion for them, and it’s not only a challenge—but a privilege—to me not only to bring their stories hopefully to a new audience, but in some cases to make people think about the way they have previously perceived them.

Is there a particular author or book that influenced or inspired your writing or decision to write?

I love this question! Yes, there are two. First, many years ago, when I had just begun writing Courtesan, and I really had no idea at all about how to do that, or sell it, assuming I even finished, I was privileged to meet the iconic author Irving Stone, who wrote the classic The Agony and the Ecstasy, about the artist Michelangelo. The advice he gave me about how to bring characters from history to life, and how to go about researching them to make them authentic, has stayed with me. The second is the author Karleen Koen. Her historical novel Through A Glass Darkly, while not based on real characters, was so realistic and compelling that when I was beginning, I really idolized her and was even more driven to try my best to tell a story that was as sweeping and memorable.

Can you tell us about your challenges in getting your first book published?

The biggest challenge for me, I think, was being an unknown, and writing the story of my heart, which was a novel that did not have an obvious path toward publication. My editor at the time told me after she bought it that she had not wanted to buy it, since it was set in the French Renaissance, and she didn’t think that was a sellable setting for a novel, but after she’d read it she ‘had to buy it’. Not a ringing endorsement to a new author’s ears, believe me! I’m happy to say, however, that after 22 years, Courtesan is still in print, has been translated into several languages and, of my 14, it is the one readers most often say they remember.

Is anything in your new book, Platinum Doll, based on real life experiences?

Not my life, but yes, the book is based on the life of Hollywood icon Jean Harlow. It’s about her as a young girl first arriving in Hollywood full of idealistic hope, her fragile teenage marriage at the time, the choices she makes regarding that, and what happens as she first finds fame as the original blonde bombshell. Hers is a story that I don’t think a lot of readers know, or would even guess at. I also loved discovering that Jean Harlow was an idol for a future famous blonde… Marilyn Monroe who, when she was starting out in Hollywood, wanted to be just like her.

Do you have a favorite chapter or scene?

I do love the scene where Harlow is first discovered at a Hollywood studio. It is a true story and, unbelievably, she really was sitting waiting for a friend to finish an audition when several casting agents approached her, not the other way around. She was actually wary of the movie industry after her mother—the first Jean Harlow—had tried and failed to become a star herself. But Harlow was just naïve and fresh-faced enough to make her natural sex appeal less threatening to female moviegoers and a draw for men. She was also funny, smart and very charismatic on film. But she paid a high price for her swift rise to fame.

Do you have any advice for aspiring writers?

My favorite piece of advice, the one I got from an author when I was starting out, was in regard to the first draft. Many new writers get stuck on trying so hard to make it perfect that they give up and never even finish, or even see a second draft. I never forgot what I was told: The purpose of the first draft is not to get it right—it’s to get it written. You can’t edit or improve something that isn’t there on the page. I still love that and think of it often!

What are the downfalls of your writing career? The best parts?

I would have to say that one downfall (or perhaps a more accurate word for it in my case is “challenge”) is that, for a historical novelist, it is not a 9 to 5 job. There is the endless research, writing, editing, more editing and then the marketing. If I could just learn how to do without sleep, I think I’d be pretty good at juggling it all! As to the best parts, there is the idea of doing something that I love, and which I am passionate about. Trying to bring those historical characters to life for a new audience, and hopefully to bring some empathy for parts of their lives that might have been misunderstood, is infinitely rewarding.

Is there anything you would like to say to your readers and fans?  

I am so privileged, and humbled, to have so many of you who kindly followed my earlier Diane Haeger novels, give the books under my Anne Girard pen name a read, and tell me about it. I love hearing from everyone, and it’s always a thrill to know that a reader took the time to reach out, either via email or social media. I hope you will all have a look at Platinum Doll and let me know what you think!


Website:            dianehaeger.com
Facebook:        facebook.com/annegirardauthor
Twitter:              @annegirard1
Goodreads:      goodreads.com/author/Anne_Girard

Publicity:
Suzy Missirlian ~ @Suzy4PR

Thank you, Anne, for taking the time to share a bit about your book and writing life!

 

Tuesday, January 12, 2016

WIFE GOES ON, by author, LESLIE LEHR


     Did it ever occur to you that “w-i-f-e” is a four letter word? The first time I cringed at the sound of it, I knew my marriage was over. But I refused to get a divorce. Sure I was miserable, but I made a commitment, dammit.
The truth is, I was afraid to be alone. Then I heard my daughter swear she’d never get married and I realized sticking it out wouldn’t win me Mother of the Year. If I wanted my kids to be happy, I would have to show them how. So I tore off those golden shackles – and found out I wasn’t alone. I had joined a club that I didn’t know existed. Everywhere, there are members who have paid their dues, know the secret handshake, and are reaping the benefits of true friendship…   Welcome to Club Divorce

            When Diane Taylor gives up her dreams of living happily ever after, she meets three women with nothing in common but the end of their marriages – and finds it’s more than enough to be friends. Meet Diane, an MBA hotshot turned PTA president, with a shy son and a troublesome teenage daughter, whose husband’s gambling leads to bankruptcy, humiliation, and a whole new life. Lana is the actress whose marriage to a Hollywood heartthrob ended in a public break-up that made her a national punchline. Now she hides in plain sight at a furniture store in the valley. When Hollywood comes knocking, will she open the door? Bonnie is the young OSU Homecoming Queen with two young children and a football hero husband. Devastated when her Prince Charming storms out of the fairy tale, she has no idea how to make her own dreams come true. Annette is a hard-edged divorce lawyer who knew the odds going in. But when she finds herself working such long hours to support the man who left her for a man, she loses custody of their beloved daughter and is desperately to win her back. Together, they start their second acts and help each other through laughter and tears to live happier ever after. Husbands may come and go, but friends are forever.

            Whether you are among the millions who have been divorced or are friends with someone who is, Wife Goes On will inspire you with humor, heart and hope. As a special gift, download the free companion joke book: Wife Goes on...and Laughs. Because we all deserve to live happier ever after!
"A modern mix of “Sex & the City” and First Wives Club, this is serious fiction wrapped with a chick lit bow. Lehr keeps the plot moving with madcap hijinks and tender moments."    ~ Publishers Weekly

“A celebration of 2nd acts wrapped up in a humorous, heartfelt homage to the
power of friendship.”~ Arianna Huffington, Thrive

“Sexy and fabulous! -Jerrilyn Farmer, The Madeleine Bean mysteries

"Leslie Lehr is a truth teller - a rare writer who untangles the realities of women's lives without flinching, while making you laugh, cry, and nod in understanding with every word."
             --Leslie Morgan Steiner, Crazy Love





Some Q & A's with Leslie: 

Q. What advice would you give to aspiring writers?
Read! And when you are watching TV or a movie, think about it in story terms. How was it written? How would you have written it differently?

Q. Did you always want to be a writer, or did you start off in a different career?
I always wrote, but just for fun. I loved getting lost in the movies – so I wanted a career in the film business. I ran my high school TV station in Ohio, went to film school at USC, then worked in production until I realized the story was more important to me than the number of cameras we needed. Having children with little access to decent daycare gave me the excuse to focus on writing full time. It also gave me something to write about!

Q. How would you describe your writing style in one word?
True. That’s what I love about fiction that every element - from the structure to the prose - is all there simply to explore the emotional truth.

Q. Is anything in your books based on real life experiences?
Everything in my books is based on real life experiences, though nothing in them really happened.  I did not slap a woman - though I wanted to, I did not have an affair – though I was horribly insecure as a new mom, and I did not kill a teenage boy – though I’d be tempted. I write about the challenges of contemporary women because that’s what inspires me to have a voice. I want to untangle our messy lives from the demands of family and culture, to shine a light on the kind of love that helps us flourish.

Q. Favorite scene or chapter?
My favorite chapter or scene is usually the happy ending. With 66 Laps, after so much wit and angst, the hopefulness makes me cry. Wife Goes On has a gorgeous scene at the end of chapter one where she imagines herself to be a mermaid, then at the end she is truly strong and free. The end of What A Mother Knows was the same through years of rewrites to the page-turning thriller it is today – and I still cry every time I read it. I can feel the love bounce right off the page.

Q. Day job?
My day job is consulting with other writers. I am a structure diva who has followed the Truby Writers Studio story method for every project I ever sold – and combined it with novel techniques to teach at conferences, the Writers Program at UCLA Extension, and in private workshops. Now I am the official Novel Consultant for TWS. I study full manuscripts, have Skype meetings, write query letters, and have a new Jumpstart package to help new writers launch a project. With over twenty-five years of writing and selling scripts, novels and nonfiction books, plus essays from Mommy Wars to the New York Times Modern Love, I know how to save writers a lot of time. I am a big believer in providing solutions that allow the writer to make informed choices to keep their vision.

Q. What are you working on now?
Two years out from Breast Cancer treatment, I am back in action on all fronts. Granted, I’m still drawing in my eyebrows, but I just published a new eBook edition of my first novel, 66 Laps (which started my career at Random House after winning a literary prize). I also am offering a free joke book to go along with Wife Goes On, because, why not? I’m grateful to be alive. And I just got a royalty check from What A Mother Knows, my most recent novel, and I’m still in love with that mother-daughter story. So I’m finally working on a new project and just turned the 80 page proposal in to my agent. I love my job!

Social Media:  
I post about books and writing daily on Facebook at /authorleslielehr
Twitter @Leslielehr1. 
I also play with Pinterest boards. And if you go to my website, Leslielehr.com, you’ll find book deals, writing blogs, and a free gift with sign up for my short monthly newsletter, the LehrList. I run a contest every month as well. Happy reading!






Tuesday, January 5, 2016

THE EDGE OF LOST, by author, KRISTINA MCMORRIS

From New York Times bestselling author Kristina McMorris comes an ambitious and heartrending story of immigrants, deception, and second chances.

On a cold night in October 1937, searchlights cut through the darkness around Alcatraz. A prison guard’s only daughter—one of the youngest civilians who lives on the island—has gone missing. Tending the warden’s greenhouse, convicted bank robber Tommy Capello waits anxiously. Only he knows the truth about the little girl’s whereabouts, and that both of their lives depend on the search’s outcome.

Almost two decades earlier and thousands of miles away, a young boy named Shanley Keagan ekes out a living as an aspiring vaudevillian in Dublin pubs. Talented and shrewd, Shan dreams of shedding his dingy existence and finding his real father in America. The chance finally comes to cross the Atlantic, but when tragedy strikes, Shan must summon all his ingenuity to forge a new life in a volatile and foreign world.

Skillfully weaving these two stories, Kristina McMorris delivers a compelling novel that moves from Ireland to New York to San Francisco Bay. As her finely crafted characters discover the true nature of loyalty, sacrifice, and betrayal, they are forced to confront the lies we tell—and believe—in order to survive.


Kristina’s behind-the-book summary:

I was searching online one day when I happened across an intriguing documentary titled Children of Alcatraz. The compilation of interviews featured people who had grown up on Alcatraz Island as children of the prison staff, some even claiming to have secretly befriended notorious inmates despite rules to prevent any contact. By the end of the video, I knew I had a story to tell, one of a hardened prisoner whose acquaintance with the young daughter of a guard would lead to irreversible consequences.

When I researched Alcatraz further, I was just as surprised to learn about an inmate named Elliot Michener. As an entrusted passman, he had been assigned to work in the warden’s mansion, where he later built and tended a greenhouse, and was even granted special permission to work outdoors seven days a week under limited supervision. The paradoxical setting fascinated me: one of a colorful, peaceful haven meant for nurturing and growth, set next to a bleak concrete prison where lives often withered.

During a night tour on Alcatraz, surrounded by the steel bars and cold gray walls of a cell, I gained a sense of appreciation for the cherished respite found in that greenhouse. And when I boarded the boat to leave, I took with me a notepad full of astounding facts about the infamous prison, the inmates who once lived there, and escape attempts that often ended in tragedy.


Kristina McMorris is a New York Times and USA Today bestselling author and the recipient of more than twenty national literary awards, as well as a nomination for the IMPAC Dublin Literary Award, RWA’s RITA® Award, and a Goodreads Choice Award for Best Historical Fiction. Inspired by true personal and historical accounts, her works of fiction have been published by Kensington Books, Penguin Random House, and HarperCollins.

The Edge of Lost is Kristina’s fourth novel, following the widely praised Letters from Home, Bridge of Scarlet Leaves, and The Pieces We Keep, in addition to her novellas in the anthologies A Winter Wonderland and Grand Central. Prior to her writing career, she hosted weekly TV shows since age nine, including an Emmy® Award-winning program, and has been named one of Portland's "40 Under 40" by The Business Journal.

Author links:
Website: www.KristinaMcMorris.com
Facebook: www.facebook.com/KristinaMcMorrisAuthor
Twitter: www.twitter.com/KrisMcmorris
GoodReads: www.goodreads.com/KristinaMcMorris

Advance praise:

“Kristina McMorris evokes such a strong sense of place that to open her books feels less like reading and more like traveling. Her absorbing new novel…[is an] epic, deeply felt tale of struggle and second chances… a transporting piece of historical fiction.”
BookPage

“Will grab your heart on page one and won’t let go until the end—and if you’re like me, not even then. I absolutely love this book, and so will you.”
Sara Gruen, #1 New York Times bestselling author of Water for Elephants

 “McMorris’ gripping immigrant saga sweeps from Dublin to New York, through Prohibition and vaudeville, from New York to San Francisco and Alcatraz. It is a young man’s battle with hardship and tragedy, but it is also a portrait of America during a turbulent time and a quest that ends in triumph. Readers will be caught up in this well-told story.”
RT Book Reviews, 4 Stars

 “Compelling, resonant and deeply moving, The Edge of Lost is an absorbing tale of deceit and self-deception, survival and second chances, the ties that bind and the lure of the unknown.”
Christina Baker Kline, #1 New York Times bestselling author of Orphan Train

Publisher info:
Kensington Books
Release date: November 24, 2015
ISBN-13: 978-0-7582-8118-0
ISBN-10: 0-7582-8118-8
Fiction, Original Trade Paperback, 340 pages
Price: $15 U.S./$16.95 Can.
Special features: Author Note, Discussion Guide, and Author Q&A

Some Q & A with Kristina:

1.    Tell us a little bit about yourself.

Well... I'm a married mom of two boys, ages 9 and 12, both of whom I’ve successfully brainwashed into loving nostalgic tunes (spanning from Motown to the Rat Pack) and classic movies like, yes, The Sound of Music. As a native of Portland, Oregon, I don’t mind the rain a bit and am not even sure I own an umbrella. As for my heritage, I’m of Irish and Japanese descent, a confusing mix that should explain a lot about me.

2.    How did you start writing fiction?

Just a handful of years ago, I was actually interviewing my grandmother for the biographical section of a homemade cookbook, intended simply as a Christmas gift for the family. That’s when she shared how she and my late grandfather had only dated twice during WWII, before an exchange of letters led to a marriage that lasted until he passed away fifty years later. She then shocked me by puling from her closet every courtship letter he’d ever sent to her. We spent the rest of the afternoon poring over those gorgeous, yellowed, wrinkled pages, all sent from an eighteen-year-old sailor who didn’t know if he’d ever be coming home.

When I left her house, I started to wonder how well two people could truly know each other through letters alone. What if the words on those pages weren’t entirely truthful? It was this idea that led me to sit down and try my hand at a novel, which ultimately became my first book, Letters from Home.

3.    Where do you get your ideas?

So far, I’ve been fortunate enough to stumble upon lesser-known nuggets from history that are so fascinating I couldn’t wait to share them with others: everything from women on the frontlines in the Pacific Theater and non-Japanese spouses who lived voluntarily in internment camps to Nazi saboteurs who were dropped off by U-boat on the east coast of America and, most recently, children who grew up on Alcatraz Island, supposedly even befriending some of the country’s most notorious criminals.

4.    Is there a particular author or book that influenced or inspired your writing or decision to write?

My first publishing contract was for a total of two books. Given all the months I’d spent researching WWII, and feeling the pressure of getting the facts right, I was very tempted to write a contemporary story for my second novel. But then I read Water for Elephants. I was completely swept into another era, all while learning about an incredible slice of history that I’d had no idea existed. I realized then how much I wanted to offer readers a similar experience, so I’ve continued to write historical fiction ever since.

5.   Can you tell us about your challenges in getting your first book published?

I'm embarassed to admit that I wasn’t much of a reader before I started writing my first novel. (Believe me, I’ve since seen the error of my ways!) Instead, I was a long-time movie buff, so I’ve always loved the art of storytelling, just in a different form. So, my first challenge was crash coursing everything I possibly could about the writing process.

The other great challenge I faced when I first finished writing Letters from Home was the era I’d chosen. I tell you, if I had a dime for every time someone told me “Oh, World War Two will NEVER sell”…. Needless to say, I’m thrilled the appeal of WWII novels soon took a turn and continues to be so popular among readers.


6.    Is anything in your latest book, The Edge of Lost, based on real-life experiences?

In addition to the experiences of children who grew up on Alcatraz, I loved weaving in true stories from inmates on the Rock, ranging from dark and shocking to humorous and touching. I was especially surprised to learn about entrusted inmates known as “passmen,” who were given special assignments to work at the warden’s mansion, as well as outdoors seven days a week under limited supervision.

A good portion of the novel also involves Prohibition, mobsters, Italian and Irish immigrants, and even the vaudeville and burlesque circuits. As you can imagine, researching these subjects provided plenty of other interesting tidbits that found their way into my story.

7.    Do you have any advice for aspiring writers?

When it comes to constructive criticism, try your best to lower your defenses and listen with open ears, but treat feedback like a cafeteria line: pick and choose what works for you. Don't let anyone edit out the voice that is uniquely yours. 

Above all, remember there’s no finish line in this crazy business. So, regardless of what people say will or won’t sell, write a story you’re passionate about. 

Thank you so much, Kristina, for taking the time to share some of your writing life with us! Jill



Thursday, December 3, 2015

MEDICIS DAUGHTER: a novel of Marguerite de Valois, by author, SOPHIE PERINOT

MEDICIS DAUGHTER: a novel of Marguerite de Valois, debuted December 1st!

Winter, 1564. Beautiful young Princess Margot is summoned to the court of France, where nothing is what it seems and a wrong word can lead to ruin. Known across Europe as Madame la Serpente, Margot's intimidating mother, Queen Catherine de Médicis, is a powerful force in a country devastated by religious war. Among the crafty nobility of the royal court, Margot learns the intriguing and unspoken rules she must live by to please her poisonous family.
Eager to be an obedient daughter, Margot accepts her role as a marriage pawn, even as she is charmed by the powerful, charismatic Duc de Guise. Though Margot's heart belongs to Guise, her hand will be offered to Henri of Navarre, a Huguenot leader and a notorious heretic looking to seal a tenuous truce. But the promised peace is a mirage: her mother's schemes are endless, and her brothers plot vengeance in the streets of Paris. When Margot's wedding devolves into the bloodshed of the St. Bartholomew's Day Massacre, she will be forced to choose between her family and her soul.


Médicis Daughter is historical fiction at its finest, weaving a unique coming-of-age story and a forbidden love with one of the most dramatic and violent events in French history.

Advance Praise:

“Perinot matches the rhythm of Margot's life to the political storms: as the battles escalate, so do the perils of love and lust. A riveting page-turner skillfully blending illicit liaisons and political chicanery.
~~Kirkus Reviews

Renaissance France meets Game of Thrones: dark, sumptuous historical fiction that coils religious strife, court intrigue, passionate love, family hatred, and betrayed innocence like a nest of poisonous snakes.”
~~Kate Quinn, Bestselling author of THE SERPENT AND THE PEARL


"This story is an enthralling page-turner which lovers of royalty fiction and strong female leads should enjoy thoroughly."
~~Historical Novel Reviews (Nov 2015 edition)

Sophie Perinot 
[www.sophieperinot.com]
author of: 
Médicis Daughter: A Novel of Marguerite de Valois
Thomas Dunne/December 2015
A Day of Fire: A Novel of Pompeii
Knight Media/November 2014

The Sister Queens
NAL/March 2012


Some Q & A with Sophie:

Tell us a little bit about yourself, and how you started writing.

I wasn’t always a writer. In fact I am not even one of those people who always knew she wanted to be a writer. I do not have stacks of journals under my bed dating to my adolescent days. I’ve always made up stories, mostly for my sister’s entertainment. But when I was a little girl I dreamed of being the junior senator from Ohio—not a novelist. Then I decided that I wanted to be a lawyer and in due course I went off to law school and became one. And that is when I discovered that being good at something doesn’t mean you enjoy it. So my dream job had turned out not to be so dreamy. I knew I wanted to do something new, but deciding what to be when you grow up when you are already grown up is an angst filled business. I don’t do angst without my sister (much as she doubtless wishes I would). So I was on the phone with her using her as an unpaid career counselor/therapist when she said, “I know you are making up a story right now in your head. Whatever that story is pick up your dictaphone and start saying it out loud.” I was leaving on a family beach vacation, but I took my dictaphone along and followed my sister’s orders. The result was my first completed manuscript.

What are some things you enjoy when not writing?

Given that my work day is limited by school hours, when I am not immersed in my research books, drafting or editing I tend to be doing the really exciting stuff like supervising middle-school homework, prepping dinner or running a load of laundry *wink*  I am sure a lot of my readers can identify with this.

How do you get your ideas?

Serendipitously. The inspiration for my debut novel, The Sister Queens came from a footnote in a history of Notre Dame de Paris about Marguerite of Provence (whose kneeling image is carved over that great church’s Portal Rouge) and her sisters. These remarkable 13th century women all made very politically significant marriages yet I had never heard of them. I wondered how they could have slipped through the fingers of history.  The fact that they had seemed utterly unfair.  So, I decided to tell their story myself.  The idea for the manuscript I am working on currently came from a 17th century Italian song that my son and I heard on the car radio.  I think when you are a creative type person you always have feelers out looking for interesting and inspiring oddities.  Historical novelists may have a bit of an advantage here because history is full of the weird, wonderful, and forgotten, all waiting to be re-discovered and illuminated.  It is also full of powerful and sometimes powerfully twisted people. That is certainly true of the Valois royal court which provides the setting for my just-released novel, Médicis Daughter.

Is anything in your book based on real life experiences?

Because I write historical fiction a tremendous amount of what makes it into my books really happened.  In order to write convincingly in a particular period and place (in the case of Médicis Daughter the 16th century French Royal Court) I have to steep myself in the period including the details of everyday life. For example, I can tell a Spanish farthingale (an undergarment that supports a 16th century skirt) from a French one, and pretty much put my finger on the year when the style began to change.

Most of what I read and absorb does NOT make it into the text of my book—that would be a boring recitation of fact, not a novel. But it does shape every moment, every description, every scene. Which historical events are ultimately recounted in a particular novel depends on the plot and theme of the story, and also on the point of view from which the story is being told. For example, Médicis Daughter is a coming of age story told through the eyes and experiences of Princess Marguerite de Valois, youngest sister of the French King. She is not included in meetings of the King’s Council so those are not the type of scenes you will find in the book. She is, however, fully immersed in the court intrigue that permeates the household of her royal mother, Queen Catherine de Médicis. So readers can expect a lot of power struggles, seductions etc.

Do you have a favorite chapter or scene?

Oddly some of my favorite scenes are also among the most painful in the book. I think that’s because they involve moments of emotional epiphany for my characters—moments when they break through and grow.  Heartbreak, betrayal, life-or-death decisions: these bring out the best and worst in people and, ultimately, how we react under such pressure reveals who we really are.  My heroine, Marguerite de Valois, the youngest of the royal princesses, experiences a tremendous amount of adversity and drama during the span of my book. She is coming-of-age (and trying to understand who she will be as a woman) in a very tumultuous time in French history. The Wars of Religion are raging. Political alliances are tenuous and shifting. There is considerable dysfunction within her family, and she is under tremendous pressure to be obedient to the will of her powerful mother. All of these things present Margot with a stark choice—will she allow circumstances and the will of others to determine who she is (the path of least resistance), or will she attempt to take primary responsibility for who she becomes, even if such self-determination puts her at risk of negative consequences?

Do you have any advice for aspiring writers?

Find a community. One of the wonderful things about the internet is that like-minded and like-interested people can find each other across great distances. I’ve been active for some years in the on-line community AgentQuery Connect and I can highly recommend that to writers who have not yet secured an agent.  Another great way to connect with other writers—and to find those all-important manuscript critique partners—is to attend a writers conference or two. As a writer of historical fiction I am a big fan of the Historical Novel society and have been attending their conferences for a decade. This can be a lonely road if you let it become one, but it absolutely does not need to be. In my experience fellow writers are some of the most open-hearted and collegial people around. 


Thank you so much, Sophie, for taking the time to tell us a bit about your writing life, and your new novel!






Monday, November 23, 2015

COAL RIVER, by Ellen Marie Wiseman (Debuts tomorrow!)

In COAL RIVER, a young woman reveals the dark secrets within a Pennsylvania mining town. In the year 1912, the same year of the sinking of the Titanic, children as young as 5 years old toil 12 hour days under extremely dangerous conditions in Pennsylvania coals mines. Coal River debutes November 24th!

In this vibrant new historical novel, the acclaimed author of The Plum Tree and What She Left Behind explores one young woman's determination to put an end to child labor in a Pennsylvania mining town...

As a child, Emma Malloy left isolated Coal River, Pennsylvania, vowing never to return. Now, orphaned and penniless at nineteen, she accepts the train ticket from her aunt and uncle and travels back to the rough-hewn community. Treated like a servant by her relatives, Emma works for free in the company store. There, miners and their impoverished families must pay inflated prices for food, clothing, and tools, while those who owe money are turned away to starve.

Most heartrending of all are the breaker boys Emma sees around the village--young children who toil all day sorting coal amid treacherous machinery. Their soot-stained faces remind Emma of the little brother she lost long ago, and she begins leaving stolen food on families' doorsteps, and marking the miners' bills as paid.

Though Emma's actions draw ire from the mine owner and police captain, they lead to an alliance with a charismatic miner who offers to help her expose the truth. And as the lines blur between what is legal and what is just, Emma must risk everything to follow her conscience.

An emotional, compelling novel that rings with authenticity-Coal River is a deft and honest portrait of resilience in the face of hardship, and of the simple acts of courage that can change everything.


Praise for the Writing of Ellen Marie Wiseman:
“Captivating in its complexity...the story reaches a place of immense emotional depth and psychological turmoil, culminating in an unexpected, heartrending ending.” – RT Book Reviews, on WHAT SHE LEFT BEHIND, TOP PICK!

“Wiseman eschews the genre’s usual military conflicts in favor of the slow, inexorable pressure of daily life during wartime, lending an intimate and compelling poignancy to this intriguing debut.” – Publishers Weekly on THE PLUM TREE

“A beautifully written first novel...Ellen Marie Wiseman weaves a story of intrigue, terror, and love from a perspective not often seen in Holocaust novels.” – Jewish Book World on THE PLUM TREE

“Screams with authenticity, depth, and understanding.” – The New York Journal of Books on What She Left Behind 

Some Q & A time with Ellen:

1.    Tell us a little bit about yourself, and how you started writing.

When my children were small, I wrote for fun and have a drawer full of half-started novels to show for it. Of course I dreamt of finishing a book someday, of being published, of living the “dream”. But writing was just a relaxing hobby, a luxury I afforded myself when I had time. Then, suddenly, the story I knew I had to write came to me. Luckily, by then, my kids had gone off to college and I was able to spend the next four years working on THE PLUM TREE, which follows a young German woman through the chaos of WWII as she struggles to save the love of her life, a Jewish man. It’s loosely based on my mother’s experiences growing up in Germany during the war and features a lot of family history, including my grandmother risking her life to leave food our for Jewish prisoners and my grandfather’s escape from a Russian POW camp.   

2.    What are some things you enjoy when not writing?

Boating, swimming, gardening, reading, watching movies and, most importantly, spending time with my family, especially my grandchildren.

3. Where do you get your ideas?

When considering possible subjects for a new novel, I like to unearth those parts of history we weren't taught in school. I try to look at historical facts from the perspective of writing about ordinary people caught up in extraordinary circumstances and hopefully making them more interesting and entertaining for my readers. The idea for WHAT SHE LEFT BEHIND came to me when I read about the Willard Suitcase Exhibit, a collection of suitcases found in the attic of the shuttered Willard asylum, left behind by patients who had checked into the institution but never checked out. 
The inspiration for COAL RIVER came from my interest in the plight of coal miners, something that was sparked by movies such as “How Green Was My Valley” and “Harlan County USA”. I find it fascinating that men risk their lives every day to make a living by going deep in the earth despite poor wages and the danger of cave-ins and explosions. I can only imagine how hard life must have been in the early years of mining for impoverished mining families, many of whom came to this country from foreign lands in search of a better life. I was struck by the fact that young boys were used to sort coal from the mine, working until their fingers bled. When I realized other people hadn’t heard about the breaker boys either, I knew it was a story that needed to be told. I also wanted to write about the struggles of the breaker boys’ mothers and siblings, the boys who worked as nippers, spraggers, and mule drivers, and the exploitation of miners at the hands of their employers.

4.  What are you working on now?

I’m working on my fourth novel. Set during the depression-era, it follows an albino whose mother keeps her hidden in the attic for the first ten years of her life, then sells her to a circus sideshow.

Thanks so much, Ellen, for taking the time to share some of your writing life and a bit of your new novel with us!


Ellen Marie Wiseman~ Internationally Published Author of The Plum Tree, What She Left Behind, and the upcoming, Coal River.
Kensington Publishing Corp.